Cristo davanti Annas
| Reference: | S16925 |
| Author | Jan Harmensz MULLER |
| Year: | 1615 ca. |
| Measures: | - x - mm |
€275.00
| Reference: | S16925 |
| Author | Jan Harmensz MULLER |
| Year: | 1615 ca. |
| Measures: | - x - mm |
€275.00
Description
Series of three engravings from the series La Passione (The Passione), dated between 1615 and 1620. The works, with Lucas van Leyden’s monogram, are misleading copies of the Master of Leyden’s (1521). Example in the fisrt state of two. Magnificent works, printed on contemporary laid paper, trimmed to the marginal line, small repairs perfectly executed, otherwise in good condition.
Literature
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Hollstein 45
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Jan Harmensz MULLER (Amsterdam 1571 - 1628)
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Dutch engraver, draughtsman and painter. He was the eldest son of Harmen Jansz. Muller (1540–1617), the Amsterdam book printer, engraver and publisher. The family business, called De Vergulde Passer (‘The gilded compasses’), was situated in Warmoesstraat, and Jan Muller worked there for many years. He may have been apprenticed to Hendrik Goltzius in Haarlem. Between 1594 and 1602 he is thought to have gone to Italy, where he stayed in Rome and Naples. He was related by marriage to the Dutch sculptor Adriaen de Vries, who was a pupil of Giambologna. He also maintained contacts with Bartholomeus Spranger and other artists in Prague, which under the rule of Emperor Rudolf II had become a flourishing centre of the arts. In 1602 he made an unsuccessful attempt to mediate on behalf of Rudolf II, who wanted to buy Lucas van Leyden’s Last Judgement. When Harmen Jansz. Muller died, he left the entire stock of his shop, including a number of copperplates, to his bachelor son Jan.
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Literature
|
Hollstein 45
|
Jan Harmensz MULLER (Amsterdam 1571 - 1628)
|
Dutch engraver, draughtsman and painter. He was the eldest son of Harmen Jansz. Muller (1540–1617), the Amsterdam book printer, engraver and publisher. The family business, called De Vergulde Passer (‘The gilded compasses’), was situated in Warmoesstraat, and Jan Muller worked there for many years. He may have been apprenticed to Hendrik Goltzius in Haarlem. Between 1594 and 1602 he is thought to have gone to Italy, where he stayed in Rome and Naples. He was related by marriage to the Dutch sculptor Adriaen de Vries, who was a pupil of Giambologna. He also maintained contacts with Bartholomeus Spranger and other artists in Prague, which under the rule of Emperor Rudolf II had become a flourishing centre of the arts. In 1602 he made an unsuccessful attempt to mediate on behalf of Rudolf II, who wanted to buy Lucas van Leyden’s Last Judgement. When Harmen Jansz. Muller died, he left the entire stock of his shop, including a number of copperplates, to his bachelor son Jan.
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