La Réve [The Dream]
| Reference: | S46008 |
| Author | Henri Courselles-Dumont |
| Year: | 1890 |
| Printed: | Paris |
| Measures: | 220 x 350 mm |
€130.00
| Reference: | S46008 |
| Author | Henri Courselles-Dumont |
| Year: | 1890 |
| Printed: | Paris |
| Measures: | 220 x 350 mm |
€130.00
Description
A soft nude of an abandoned woman, crying out for the magic genius Aladin. Le Rêve is a wonderful black and white etching and drypoint on ivory-colored paper by Henri Dumont Courselles (Paris, 1856 - 1918
Etching and drypoint, circa 1890, published in 'L'Art'.
A good impression on contemporary laid paper, with margins, very good condition.
Henri Courselles-Dumont (31 luglio1856, Parigi - 26 novembre 1918, Parigi)
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Henri Courselles-Dumont was born on July 31, 1856, in Paris. He was the son of engraver Louis Paul Pierre Dumont and his wife, Ernestine Henriette Lemercier.
He joined the Beaux-Arts de Paris in 1873 in the studios of Raphaël Collin, Luc-Olivier Merson, and Jules-Élie Delaunay. Having become the latter's assistant, he collaborated on the frescoes for the Panthéon; upon Delaunay's death, he completed the composition of Saint Genevieve Restoring Calm to the Parisians on the Approach of Attila in 1891.
He exhibited at the Salon des Artistes Français from 1882 onward, initially landscapes in Impressionist tones. Later, he exhibited compositions including female nudes and numerous watercolors. He received a 3rd Class medal at the 1898 Salon.
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Henri Courselles-Dumont (31 luglio1856, Parigi - 26 novembre 1918, Parigi)
|
Henri Courselles-Dumont was born on July 31, 1856, in Paris. He was the son of engraver Louis Paul Pierre Dumont and his wife, Ernestine Henriette Lemercier.
He joined the Beaux-Arts de Paris in 1873 in the studios of Raphaël Collin, Luc-Olivier Merson, and Jules-Élie Delaunay. Having become the latter's assistant, he collaborated on the frescoes for the Panthéon; upon Delaunay's death, he completed the composition of Saint Genevieve Restoring Calm to the Parisians on the Approach of Attila in 1891.
He exhibited at the Salon des Artistes Français from 1882 onward, initially landscapes in Impressionist tones. Later, he exhibited compositions including female nudes and numerous watercolors. He received a 3rd Class medal at the 1898 Salon.
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