Tipographia Insulae Huenae in celebri porthmo Daniae, quem Vulgo Oer sunt vocant. Effigiata Coloniae 1586

It shows the Island of Hven, where Tycho Brahe's observatory, Uraniborg, is oriented to the west.

Uraniborg was an astronomical observatory and alchemy laboratory established and operated by the Danish astronomer Tycho Brahe. It was the first custom-built observatory in modern Europe, and the last to be built without a telescope as its primary instrument. Uraniborg was built c. 1576 – c. 1580 on Ven, an island in the Øresund between Zealand and Scania, Sweden, which was part of Denmark at the time. It was expanded with the underground facility Stjerneborg (Swedish: Stjärneborg) on an adjacent site. Brahe also innovated and invented many precision instruments which he used to carry out his studies in the observatory. Research was done in the fields of astronomy, alchemy, and meteorology by Tycho and his assistants. Brahe abandoned Uraniborg and Stjerneborg in 1597 after he fell out of favour with the Danish king, Christian IV of Denmark; Brahe left the country, and the institution was destroyed in 1601 after his death. Ven was later lost to Sweden, and the Rundetårn (Round Tower) in Copenhagen was inaugurated in 1642 as a replacement for Uraniborg's astronomical functions.

The first volume of the Civitates Orbis Terrarum was published in Cologne in 1572. The sixth and the final volume appeared in 1617. This great city atlas, edited by Georg Braun and largely engraved by Franz Hogenberg, eventually contained 546 prospects, bird-eye views and map views of cities from all over the world. Fransz Hogenberg produced the plates for the first four books, and Simon van den Neuwel (Novellanus, active since 1580) those for volumes V and VI.

Georg Braun (1541-1622), a cleric of Cologne, was the principal editor of the work, and was greatly assisted in his project by the close, and continued interest of Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was, as a systematic and comprehensive collection of maps of uniform style, the first true atlas. The Civitates, indeed, was intended as a companion for the Theatrum, as indicated by the similarity in the titles and by contemporary references regarding the complementary nature of two works. Nevertheless, the Civitates was designs to be more popular in approach, no doubt because the novelty of a collection of city plans and views represented a more hazardous commercial undertaking than a world atlas, for which there had been a number of successful precedents. Franz Hogenberg (1535-1590) was the son of a Munich engraves who settled in Malines. He engraved most of the plates for Ortelius's Theatrum and the majority of those in the Civitates and may have been responsible for originating the project.

Over a hundred of different artists and cartographers, the most significant of whom was Antwerp artist Georg Hoefnagel (1542-1600), engraved the cooper-plates of the Civitates from drawings. He not only contributed most of the original material for the Spanish and Italian towns but also reworked and modified those of other contributors. After Hoefnagel's death his son Jakob continued the work for the Civitates.

The author set out to depict "non icones et typi urbium," that is, not generic and typified images, "sed urbes ipsae admirabili caelaturae artificio, spectantium oculis subiectae appareant": not intended to allude or idealize but to represent faithfully on paper, to reproduce exactly, and in real time, what the eye sees, as announced in the preface to the first volume of Civitates Orbis Terrarum.

Copperplate engraving with fine hand colour, in very good condition.

Bibliografia

Van der Krogt 4 - #4987; Taschen (Br. Hog.) - p.303; Fauser - #14499