Carta Geografica della Florida nell'America Settentrionale

Reference: S36703
Author Giambattista ALBRIZZI
Year: 1740 ca.
Zone: Florida
Printed: Venice
Measures: 447 x 350 mm
Not Available

Reference: S36703
Author Giambattista ALBRIZZI
Year: 1740 ca.
Zone: Florida
Printed: Venice
Measures: 447 x 350 mm
Not Available

Description

Scarce map of the Southeastern portion of the future United States, based upon De L'Isle's map of 1718.

The map extends from the Rio Grande River to the confluence of the Mississippi and Missouri Rivers, and east to include the Chesapeake and Delaware Rivers, and south to Florida and the Bahamas.

A superb, striking image, with rich details throughout and a striking cartouche showing an Indian hunt in the New World. Excellent detail in Florida, the Gulf Coast, and the Texas coastline, as well as in the interior of Texas and the South. The two large Mohawk villages, illustrated like European cities, adds an unusual touch. S. Agostino is also shown as a large fortified town as is Charleston and Filadelphia.

Map published in Venice by Giambattista Albrizzi.

Albrizzi's maps, derived from the works of Guillaulme de L'Isle and Iasaak Tirion, were prepared for his Atlante Novissimo, che contiene tutte le parti del mondo from 1740 (volume 1) - 1750 (volume 2). At the same time, they were also used to illustrate Lo stato presente di tutti i paesi e popoli del mondo naturale, politico e morale con nuove osservazioni degli antichi e moderni viaggiatori. Scritto in inglese dal signor Salmon. Tradotto in Ollandese, e Francese, Tedescho ed ora in Italiano. In Venezia, Presso Giambattista Albrizzi MDCCXXXVII-MDCCLVI (1737-66), work - in twenty-seven volumes - Italian translation of the books by Thomas Salmon Modern history, or the present state of all nations, which appeared between 1725 and 1739 in London in 32 volumes.

Giambattista Albrizzi is part of a family of printers and publishers of Venice from Bergamo. Start of printing was in the last decades of the seventeenth century, Girolamo Albrizzi was succeeded by his son Giambattista, particularly active in the twenty years 1730-50. He gave great impetus to the art printing Venetian, linking its name to a series of magnificent editions, which earned him the collaboration of the best designers and engravers of the time: Piazzetta, Zanetti, Pitteri and Bartolozzi.

Copperplate, with fine later hand colour, in good condition.

Bibliografia

V. Valerio, Cartografi Veneti, p. 139.

Giambattista ALBRIZZI (Venezia 1698 - 1777)

Giambattista Albrizzi is part of a family of printers and publishers of Venice from Bergamo. Start of printing was in the last decades of the seventeenth century, Girolamo Albrizzi was succeeded by his son Giambattista, particularly active in the twenty years 1730-50. Among the most ancestors of modern journalism, at the end of 1740 obtained by the Reformers of the University of Padua, the privilege of printing "a newspaper containing news and military policies" entitled The New Postiglione. Gave great impetus to the art printing Venetian, linking its name to a series of magnificent editions, which earned him the collaboration of the best designers and engravers of the time: Piazzetta, Zanetti, Pitteri and Bartolozzi. Lit: Valerio, Cartografi Veneti, p. 139

Giambattista ALBRIZZI (Venezia 1698 - 1777)

Giambattista Albrizzi is part of a family of printers and publishers of Venice from Bergamo. Start of printing was in the last decades of the seventeenth century, Girolamo Albrizzi was succeeded by his son Giambattista, particularly active in the twenty years 1730-50. Among the most ancestors of modern journalism, at the end of 1740 obtained by the Reformers of the University of Padua, the privilege of printing "a newspaper containing news and military policies" entitled The New Postiglione. Gave great impetus to the art printing Venetian, linking its name to a series of magnificent editions, which earned him the collaboration of the best designers and engravers of the time: Piazzetta, Zanetti, Pitteri and Bartolozzi. Lit: Valerio, Cartografi Veneti, p. 139