Triumph of Galatea
| Reference: | S42080 |
| Author | Bernard PICART |
| Year: | 1701 |
| Measures: | 150 x 115 mm |
| Reference: | S42080 |
| Author | Bernard PICART |
| Year: | 1701 |
| Measures: | 150 x 115 mm |
Description
Triumph of Galatea, carried on the sea by nereids and dolphins; in the distance, at left, Polyphemus, seated on mountain, and playing panpipes.
Etching and engraving, 1701, signed at lower left B. Picart f. 1701. A proof state before the title.
A fine impression, printed on contemporary laid paper, with margins, very good condition.
Bernard Picart (Paris, June 11, 1673 - Amsterdam, May 8, 1733) was a French engraver. His father Etienne (1632-1721), known as the Roman, was well known for the excellence of his drawing and was his first teacher along with renowned artists of the time such as Sébastien Leclerc. He depicted physiognomies, architecture, episodes and anecdotes told in the written pages, historical subjects, numismatics, portraits, costume scenes, gallant pastimes and chivalric activities that so appealed to the French, Dutch, Belgians and Swedes. Most of his works were collected in a kind of illustrated book, which included the Bible and Ovid. His most important work is Cérémonies et coutumes religieuses de tous les peuples du monde, edited by Jean-Frédéric Bernard between 1723 and 1743.
Bibliographic references
Dimier 1928 / Les peintres français du XVIIIe siècle, histoire des vies et catalogue des oeuvres (not described).
Bernard PICART (Parigi 1673 - Amsterdam 1733)
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Bernard Picart (Paris, June 11, 1673 - Amsterdam, May 8, 1733) was a French engraver. His father Etienne (1632-1721), known as the Roman, was well known for the excellence of his drawing and was his first teacher along with renowned artists of the time such as Sébastien Leclerc. In the brief biographical sketch compiled by his second wife, Anna Vincent, and published in Amsterdam soon after the artist's death, it is mentioned that the famous court painter Charles Le Brun paid attention to the artist, then 18 years old, when he received the prize of the Academy of Fine Arts. He moved to Antwerp in 1696, and spent a year in Amsterdam before returning to France in 1698 because of his mother's death and his father's ailments. After the death of his wife in 1708, he moved permanently to the Dutch capital in 1711, where he converted to Protestantism and married again. During this time Picart lent his happy hand to illustrate the books of authors who came to him. He depicted physiognomies, architecture, episodes and anecdotes told in the written pages, historical subjects, numismatics, portraits, costume scenes, gallant pastimes and chivalric activities that so appealed to the French, Dutch, Belgians and Swedes. Most of his works were collected in a kind of illustrated book, which included the Bible and Ovid. His most important work is Cérémonies et coutumes religieuses de tous les peuples du monde, edited by Jean-Frédéric Bernard between 1723 and 1743.
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Bernard PICART (Parigi 1673 - Amsterdam 1733)
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Bernard Picart (Paris, June 11, 1673 - Amsterdam, May 8, 1733) was a French engraver. His father Etienne (1632-1721), known as the Roman, was well known for the excellence of his drawing and was his first teacher along with renowned artists of the time such as Sébastien Leclerc. In the brief biographical sketch compiled by his second wife, Anna Vincent, and published in Amsterdam soon after the artist's death, it is mentioned that the famous court painter Charles Le Brun paid attention to the artist, then 18 years old, when he received the prize of the Academy of Fine Arts. He moved to Antwerp in 1696, and spent a year in Amsterdam before returning to France in 1698 because of his mother's death and his father's ailments. After the death of his wife in 1708, he moved permanently to the Dutch capital in 1711, where he converted to Protestantism and married again. During this time Picart lent his happy hand to illustrate the books of authors who came to him. He depicted physiognomies, architecture, episodes and anecdotes told in the written pages, historical subjects, numismatics, portraits, costume scenes, gallant pastimes and chivalric activities that so appealed to the French, Dutch, Belgians and Swedes. Most of his works were collected in a kind of illustrated book, which included the Bible and Ovid. His most important work is Cérémonies et coutumes religieuses de tous les peuples du monde, edited by Jean-Frédéric Bernard between 1723 and 1743.
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