Description de la Principaute de Piedmont Marquizat de Saluce...

Reference: S41745
Author Jean BOISSEAU
Year: 1643
Zone: Piedmont & Savoy
Measures: 510 x 395 mm
€1,000.00

Reference: S41745
Author Jean BOISSEAU
Year: 1643
Zone: Piedmont & Savoy
Measures: 510 x 395 mm
€1,000.00

Description

Extremely rare map of northwestern Italy, centered on Turin. The map extends from Milan and Genoa in the east to Monaco and the Provence and Dauphine borders with France.

All of Boisseau's maps are rare. 

Jean Boisseau, a Parisian map publisher, is recorded as a 'master illuminator' in 1631 and a 'map colourist' from 1635 - "Enlumineur de cartes marines " / " Enlumineur du Roy pour les cartes geographiques ". Boisseau published his first map Diocese d'Aire in 1635, and a number of his own maps from 1636. However, Mirielle Pastoureau in "Les Atlas Francais" lists only one edition of Boisseau's atlas Theatre des Gaules, dated 1642. . . . A later 1648 edition of Boisseau's atlas has also been recorded.

Copperplate with fine original colouring, great condition.

Jean BOISSEAU (Attivo a Parigi tra il 1637 - 1648)

French geographer, topographer, colourist and genealogist. Jean Boisseau was "enlumineur du roi pour les cartes géographoques," and seller of maritime charts with a store in Paris, à l'enseigne du Solleil Levant. He is first mentioned in Parisian archives in 1631: he is then described as a "master illuminator," a title he would never relinquish. Soon after, in 1635, he became "miniaturist of nautical charts." Finally, in 1636, he published several works on heraldry, genealogy and chronology. At the same time, he had some maps engraved. In 1641 he reissued Jean Leclerc's Theatre and published the Topographie françoise de Châtillon. The following year he improved Leclerc's Atlas, which became his Théatre des Gaules. In 1643 he copies Mercator-Hondius's Atlas Minor for his small Trésor des cartes géographiques. Very active until 1648, when he published the Théatre des Citéz and the second edition of the Topographie. In addition to these cartographic works he produced - from 1642 to 1648 - a collection, entitled Théâtre des Citez, containing views of cities engraved in two plates, many of them copies of those in the 1638 Archontolgia Cosmica, illustrated by Mattheus Merian. According to M. Pastoureau, only two examples of the topographic collection are known: one, belonging to a private collection, contains fifty-six views. Another example, with only forty-one views and no frontispiece is in Paris, Bibliothéque Institut d'art et d'archeologie (Fondation Jacques Doucet). Boisseau then disappears without leaving heirs. Louis Boissevin recovered part of his collection and gave a reissue of the Trésor in 1653 and the Topographie in 1655.

Jean BOISSEAU (Attivo a Parigi tra il 1637 - 1648)

French geographer, topographer, colourist and genealogist. Jean Boisseau was "enlumineur du roi pour les cartes géographoques," and seller of maritime charts with a store in Paris, à l'enseigne du Solleil Levant. He is first mentioned in Parisian archives in 1631: he is then described as a "master illuminator," a title he would never relinquish. Soon after, in 1635, he became "miniaturist of nautical charts." Finally, in 1636, he published several works on heraldry, genealogy and chronology. At the same time, he had some maps engraved. In 1641 he reissued Jean Leclerc's Theatre and published the Topographie françoise de Châtillon. The following year he improved Leclerc's Atlas, which became his Théatre des Gaules. In 1643 he copies Mercator-Hondius's Atlas Minor for his small Trésor des cartes géographiques. Very active until 1648, when he published the Théatre des Citéz and the second edition of the Topographie. In addition to these cartographic works he produced - from 1642 to 1648 - a collection, entitled Théâtre des Citez, containing views of cities engraved in two plates, many of them copies of those in the 1638 Archontolgia Cosmica, illustrated by Mattheus Merian. According to M. Pastoureau, only two examples of the topographic collection are known: one, belonging to a private collection, contains fifty-six views. Another example, with only forty-one views and no frontispiece is in Paris, Bibliothéque Institut d'art et d'archeologie (Fondation Jacques Doucet). Boisseau then disappears without leaving heirs. Louis Boissevin recovered part of his collection and gave a reissue of the Trésor in 1653 and the Topographie in 1655.