Il Prospetto Principale del Tempio e Piazza di S. Pietro… / La Veduta di Fianco destro della Basilica Vaticana con l'Ordin

Reference: S40682.28
Author Giuseppe VASI
Year: 1774 ca.
Zone: San Pietro
Printed: Rome
Measures: 1090 x 745 mm
€5,000.00

Reference: S40682.28
Author Giuseppe VASI
Year: 1774 ca.
Zone: San Pietro
Printed: Rome
Measures: 1090 x 745 mm
€5,000.00

Description

Wonderful set, complete, of the three large views of St. Peter's Church (1090 x 745 mm each) by Giuseppe Vasi.

Examples printed on contemporary laid paper, with margins, occasional light oxidation, overall in excellent condition. The works were made at different dates, from 1774 to 1778. With the exception of the first plate, they document different moments of papal ceremonies.

I plate

Title in lower margin: Il prospetto principale del tempio e piazza S. Pietro in Vaticano, e palazzo pontificio presenta, e dedica l'umilissimo devotissimo obbligatissimo servo Giuseppe Vasi conte palatino e cavaliere dell'aula lateranense, dal medesimo disegnato ed inciso l'anno 1774.

Dedication in the lower margin: All'altezza reale eminentissima di Errigo Benedetto Maria Vescovo di Frascati.

A bird eye's view shows the Basilica Vaticana, the Piazza San Pietro, and the Palazzo Vaticano, with a detailed rendering of Bernini's colonnade, as well as the surrounding landscape and buildings. Many small figures populate the space. This staffage includes pilgrims, clerics, beggars, well-dressed onlookers, and carriages.

Etching, 1774, printed from two plates on two sheets joined down the centre, in excellent condition.

This work is dedicated to Henry Benedict Stuart, the Cardinal Duke of York, grandson of King James II and Catholic heir to the British throne. 

Reference: Scalabroni 435

II plate

Dedication and title in lower margin: 

Alla Santità del Sommo Pontefice Papa PIO VI. Felicemente Regnante

L'interno della basilica vaticana colla rappresentanza dell'ordine, con cui l'ecclesiastica gerarchia de' cardinali, arcivescovi, vescovi, prelati, ed altri personaggi, processionalmente colla Santità Sua si porta per celebrare le sagre solenni funzioni;/ prostrato à Suoi Ss. piedi Giuseppe Vasi conte palatino, e cavaliere dell'aula lateranense, da se disegnato, ed inciso in rame l'anno del giubileo 1775, umilmente da, dona, e dedica.

Designed and etched during the jubilee year of 1775, the print shows an interior view of St. Peter's in which Pope Pius VI, cardinals, archbishops, bishops, prelates, and other dignitaries proceed down the nave in performance of solemn functions; Kneeling viewers look toward the pope, who is seated on a sedan chair below a baldachin or canopy, flanked by officers holding flabella. The architecture of the nave is rendered in detail, with captions listing the tombs, sculptures, tabernacles, chapels, and pictorial decorations.

Etching, 1775, printed from two plates on two sheets joined down the centre, in excellent condition.

Reference: Scalabroni 434

III plate

Dedication and title in lower margin: All'Eminentissimo e Reverendissimo Principe Il Cardinal Leonardo Antonelli del Titolo di S. Sabbina

La Veduta del Fianco destro della Basilica Vaticana con l'Ordinanza della Solenne Cavalcata del Som.o Pontefice de se disegnata e medesimamente incisa in rame l'anno 1778.

The print shows the departure from St. Peter's in Rome of a cavalcade accompanying Pope Pius VI. It features a prominent view of the south side of the basilica.

Etching, 1778, printed from two plates on two sheets joined down the centre, in excellent condition.

Giuseppe VASI (Corleone, 27 Agosto 1710 - Roma, 16 Aprile 1782)

Italian engraver and painter. After completing a classical education, he trained as a printmaker in Palermo, possibly at the Collegio Carolino, which was founded by the Jesuit Order in 1728 and at which the etcher Francesco Ciché ( fl before 1707; d Palermo, 1742) was a teacher. Vasi was already an accomplished engraver when, in 1736, he contributed to the illustration of La reggia in trionfo by Pietro La Placa, which described the festivities held in Palermo to mark the coronation of Charles VII of Naples (the future Charles III of Spain). That same year Vasi moved to Rome, where, as a Neapolitan subject, he was immediately afforded the protection of the ambassador, Cardinal Troiano Aquaviva d’Aragona (1694–1747). In Rome he met other artists who worked for the same patron: Sebastiano Conca, Luigi Vanvitelli and Ferdinando Fuga. It is against this background that Vasi’s work in Rome, when he was in residence at the Palazzo Farnese, should be considered: his monopoly as the engraver of the Roman records of the monarch, the plates for the festivals of the ‘Chinea’ and the triumphal arches erected in front of the Palatine gardens on the occasion of temporal sovereignty over Rome

Giuseppe VASI (Corleone, 27 Agosto 1710 - Roma, 16 Aprile 1782)

Italian engraver and painter. After completing a classical education, he trained as a printmaker in Palermo, possibly at the Collegio Carolino, which was founded by the Jesuit Order in 1728 and at which the etcher Francesco Ciché ( fl before 1707; d Palermo, 1742) was a teacher. Vasi was already an accomplished engraver when, in 1736, he contributed to the illustration of La reggia in trionfo by Pietro La Placa, which described the festivities held in Palermo to mark the coronation of Charles VII of Naples (the future Charles III of Spain). That same year Vasi moved to Rome, where, as a Neapolitan subject, he was immediately afforded the protection of the ambassador, Cardinal Troiano Aquaviva d’Aragona (1694–1747). In Rome he met other artists who worked for the same patron: Sebastiano Conca, Luigi Vanvitelli and Ferdinando Fuga. It is against this background that Vasi’s work in Rome, when he was in residence at the Palazzo Farnese, should be considered: his monopoly as the engraver of the Roman records of the monarch, the plates for the festivals of the ‘Chinea’ and the triumphal arches erected in front of the Palatine gardens on the occasion of temporal sovereignty over Rome