Peter and John heal a crippled
| Reference: | S30179 |
| Author | Harmensz van Rijn detto REMBRANDT |
| Year: | 1659 |
| Measures: | 215 x 180 mm |
€7,500.00
| Reference: | S30179 |
| Author | Harmensz van Rijn detto REMBRANDT |
| Year: | 1659 |
| Measures: | 215 x 180 mm |
€7,500.00
Description
Etching and drypoint, 1659, signed and dated at lower center. Example of the third state of four. A very rich impression, printed with tone on contemporary laid paper with the usual watermark for this state (Hinterding p. 498), a "shield" (Ash & Fletcher p. 221. A.b), trimmed to the platemark, perfect conditions.
The work depicts the episode narrated in the Acts of the Apostles. A cripple, a ragged beggar, sitting on the floor and stretches out his hand for alms near the temple door. Peter leverage over him his hands in a gesture of blessing, John is with him and gather around them a small crowd of onlookers. This was one of the first cases of healing operated by Peter and led to the first confrontation between the apostles and the Jewish priests.
Magnificent example.
Bibliografia
Bartsch, White – Boon, 94 III/IV; Biörklund-Barnard 59-A; E. Hinterding, Rembrandt as an etcher, p. 498; Ah & Fletcher, Watermarks in Rembrandt's Prints, pp. 219-221.
Harmensz van Rijn detto REMBRANDT (Leida 1606 - Amsterdam 1669)
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Born in Leiden, Holland in 1606, Rembrandt studied with Jacob Isaacsz van Swanenburgh (1571-1638) and Pieter Lastman (1583-1633). By 1626 he was an independent painter, working in Leiden alongside Jan Lievens (1607-74), another pupil of Lastman.
In 1631 Rembrandt moved to Amsterdam where he painted portraits of wealthy merchants. Three years later, he married his first wife, Saskia, and by the end of the 1630s he had moved into a substantial house (now the Rembrandt House Museum). In 1642, the year Rembrandt completed The Nightwatch (Rijksmuseum, Amsterdam), Saskia died.
By 1649, Hendrikje Stoffels had become his housekeeper and partner. Both Saskia and Hendrikje Stoffels posed for many paintings and sketches, often appearing as Susannah, Diana, Flora, Artemisa and other classical or Biblical figures. Rembrandt, however, was plagued by financial troubles and in 1656 his assets were made over to the courts, and many were sold. With his wife and son in financial control, Rembrandt continued to paint. Hendrikje died in 1663, his son Titus in 1668 and Rembrandt himself in 1669.
In his drawings, etchings and paintings, Rembrandt treated every subject: histories, landscapes, portraits, self-portraits, everyday scenes or sketches from nature. Rembrandt's biographer, Cornelis de Bie, praised his paintings, 'which enlighten every mind', and his etchings which are 'the very soul of life that lives therein'.
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Harmensz van Rijn detto REMBRANDT (Leida 1606 - Amsterdam 1669)
|
Born in Leiden, Holland in 1606, Rembrandt studied with Jacob Isaacsz van Swanenburgh (1571-1638) and Pieter Lastman (1583-1633). By 1626 he was an independent painter, working in Leiden alongside Jan Lievens (1607-74), another pupil of Lastman.
In 1631 Rembrandt moved to Amsterdam where he painted portraits of wealthy merchants. Three years later, he married his first wife, Saskia, and by the end of the 1630s he had moved into a substantial house (now the Rembrandt House Museum). In 1642, the year Rembrandt completed The Nightwatch (Rijksmuseum, Amsterdam), Saskia died.
By 1649, Hendrikje Stoffels had become his housekeeper and partner. Both Saskia and Hendrikje Stoffels posed for many paintings and sketches, often appearing as Susannah, Diana, Flora, Artemisa and other classical or Biblical figures. Rembrandt, however, was plagued by financial troubles and in 1656 his assets were made over to the courts, and many were sold. With his wife and son in financial control, Rembrandt continued to paint. Hendrikje died in 1663, his son Titus in 1668 and Rembrandt himself in 1669.
In his drawings, etchings and paintings, Rembrandt treated every subject: histories, landscapes, portraits, self-portraits, everyday scenes or sketches from nature. Rembrandt's biographer, Cornelis de Bie, praised his paintings, 'which enlighten every mind', and his etchings which are 'the very soul of life that lives therein'.
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